Just thought about playing with a projector and a friend of mine, here is the result! Enjoy…! 🙂
Last November 14th was marked by a general strike that spread across many european countries, regarding the efects of the economic crisis and the repercussions it had on the european people. Here are some selected shots i took in the demonstration in Lisbon, Portugal.
Last week I took a little stroll by the streets of Alfama, Lisbon. Hope you enjoy it. Cheers!
Today I want to introduce you to one of my favorite photographer, Michael Keena.
Born 1953 in England, he currently lives in Seattle, USA and is one of the best (IMO) landscape photographers i know.
The youngest of six children in a working class, Irish-Catholic family. There was certainly no tradition of art among his family at the time. Art had been one of his strongest subjects and he went on to study at the Banbury School of Art in Oxfordshire. Photography was one of many art mediums that he was exposed to as part of the course-work.
Later on, he saw the works of such luminaries as Bill Brandt, Josef Sudek, Eugene Atget, and Alfred Steigliz. They were profoundly impressive and influential. He was particularly entranced by the painters Casper David Friedrich, John Constable and Joseph Turner. After graduating, he did some assisting and printing for an advertising photographer, Anthony Blake. Landscape photography became his hobby and passion which he did in the mornings, evenings and on the weekend when he wasn’t “working”. It was really only when he went to the USA in the mid seventies that he considered the possibility of making a living in the fine arts. There were photography galleries in New York and there seemed to be a higher acceptance of photography as an art form.
Michael Keena produces almost exclusively black and white photographs. They tend to be very intimate, mysterious and at the same time rough and appealing. Here’s his take on the subject:
“I believe black and white is immediately more mysterious because we see in color all the time. It is also more subjective. I think it is quieter and more calm than color. I like to print all my own work and I can interpret black and white very subjectively in the darkroom. It is a personal preference.” – Michael Keena
Honestly, although landscape photography can produce beautiful images, and it does, i was never able to really be mesmerized by it. I don´t know why but for me it lacks some kind of element that tells the story, that grabs my attention. When I see a gorgeous landscape photo I like it, I know it’s beautiful but I don´t find myself much interested in it, because at the end of the day it’s just a photograph of something pretty.
The great exception is the work of Michael Keena, I was truly surrendered by the stunning images he produces, they’re not just landscape photography, definitely not just photos of pretty things. They tell a story, they had a great impact on me. Especially the work he did in Japan, my favorite.
And you can tell his work is something else when you see his list of clients, that include Rolls Royce, Audi, BMW, Adidas, Bank of America, Moet et Chandon, Maserati, Mercedes, etc. I was impressed enough to feel the urge to contact him, so i even sent him an e-mail some years ago, when I was just starting to enter the world of professional photography. He was kind enough to reply and we exchanged some e-mails where he advised me and gave me words of strength and confidence for the journey I then started.
I leave you here with my personal favorite images from Michael Keena. And please take some time to visit his website!
So, as I promised on one of my latest posts i present you some oooold photos i shot for the metal band Annihilation. These were shot maybe 7 years ago on film, with my good old Canon EOS 33. I really regret having sold it… If i recall i used the Fujifilm Superia ISO200, but I’m not sure.
It was a really fun shoot to do, and these guys were great. When i look back at these images i remember a lot of things I’ve should have done better, but it’s always good to look back and know you’ve learned something along the way, and that there’s always so much more to learn!
Hope you enjoy them! Cheers!
From 2010, but worth re-watching! Truly stunning images.
“The creative studio dentsu, teamed up with photographer linden gledhill to create this series of paint sculptures using sound vibrations. the series was part of a campaign for canon’s pixma ink printer brand. the photographs and videos begin by wrapping a membrane around a small speaker. ink drops were placed on this membrane and the speaker was turned on. once it began to vibrate the ink begins to jump up and down. high-speed video cameras and still cameras were used to capture this including circling around the sculptures to see them from all angles. experimenting with different sounds and frequencies created the various pieces.” – Nate for Design Boom | 10.06.10
Check out their site at www.dentsu.com
Photo. Filipe Serralheiro // Model. Fábio Silva
Fábio Silva, the singer/guitar player had a really interesting image to him. And I knew I had to take advantage of his awesome tattoos, dreadlocks and his overall menacing look. ( He’s actually not menacing at all, in fact he is one of the nicest persons I know).
The shot itself is nothing more than a standard portrait, and kind of common place for a metal musician portrait. But by carefully controlling the light and enhancing the contrasts between all the darkness (tattoos, hair, background…) and his skin, I felt really happy with the end result. So now I’m sharing it with you! 🙂
Back then I still used my old Canon 10D and these portraits were shot using only a Canon 430 EX Speedlight and a small Photoflex Umbrella. I have some older photos from their early formation from around 2004/05, wich were actually my first photo shoot ever while still at college. I’ll maybe post them here some other day, so stay sharp! 😉
For those of you who like a little heavier music be sure to check their work here!
A quick secret though! This photo was originally shot in a white background, but after I turned it black in post-production, it gained so much more strength! What do you think?
This time i present you with the great work from Ana Soares, one of the students that finished her course last month. Here are some shots i took.
For this photos i used three Profoto Pro Heads attached to 2 Profoto Pro-B3 Air blocks. 2 of the heads, with regular Zoom reflectors were used for the background and the other head was used as keylight with a white Beauty Dish.
On each side of the model i had a white reflector board and, from beneath, a Photoflex Silver reflector disc.